Two sides
11 November 2026 · Day 11 · Built with Claude
One day of my music factory, opened like a book. On the left, what went in. On the right, what came out. Pull a sketch down onto the floor to keep it for tomorrow.
- Each row is one family: a phrase I played, the sketches I'd kept from it, and across the fold, the new sketches.
- A sketch stands further off the page the less it's like what it grew from.
- Drag a sketch from the right-hand page onto the floor to keep it. The nearer you leave it, the more stars. Drag it off the floor to put it back.
What's going on here
My factory grows variations of short phrases I've played, so there's a folder of sketches to listen to in the morning. Keeping one has meant moving a file into another folder. This is a sketch of a different way to do that, in the same kind of room as Stave Room: one day's page, opened like a book. The left side is what went in, 5 phrases I played and the 16 sketches I'd already kept. The right side is the 20 sketches that came out of them.
Off the page
Each row is one family, a phrase and everything grown from it. A thread runs from each new sketch back to what it grew from. The less a sketch is like its parent, the further off the page it stands, so the ones that wandered are the ones nearest you.
Keeping
Pull a sketch down onto the floor and it's kept for tomorrow. How near you put it says how much you liked it, from one star to five. For now that only changes the list on this page. Nothing here reaches the factory.
The material is real: the second crop, grown on 6 November from five piano phrases. Each clip is cut two seconds after its last sound.
What came out
The same sketches as a list. Choosing stars here keeps a sketch, the same as pulling it onto the floor.
- 01 Upside down, far voice, from 16-1
- 02 Wider, cloud voice, from 16-1
- 03 Pushed about, piano voice, from 16-1
- 04 Pushed about, far voice, from 16-1-001-02
- 05 Wider, piano voice, from 16-2
- 06 Pushed about, chords voice, from 16-2
- 07 Busier, cloud voice, from 16-2
- 08 Upside down, cloud voice, from 16-2
- 09 Busier, chords voice, from 16-2-001-06
- 10 Ornamented, piano voice, from 16-3
- 11 Wider, chords voice, from 16-3
- 12 Busier, cloud voice, from 16-3
- 13 Thinned, cloud voice, from 16-3-001-12
- 14 Busier, cloud voice, from 16-4
- 15 Ornamented, piano voice, from 16-4
- 16 Reshaped, chords voice, from 16-4
- 17 Pushed about, far voice, from 16-4
- 18 Thinned, piano voice, from 16-4-001-14
- 19 Thinned, far voice, from 16-5
- 20 Higher, cloud voice, from 16-5
What went in
- 16-1 a phrase I played
- 16-2 a phrase I played
- 16-3 a phrase I played
- 16-4 a phrase I played
- 16-5 a phrase I played
- kept 02 kept from the crop before: Upside down, far voice
- kept 03 kept from the crop before: Wider, cloud voice
- kept 04 kept from the crop before: Pushed about, piano voice
- kept 05 kept from the crop before: Upside down, cloud voice
- kept 06 kept from the crop before: Wider, piano voice
- kept 07 kept from the crop before: Pushed about, chords voice
- kept 08 kept from the crop before: Busier, close voice
- kept 09 kept from the crop before: Wider, chords voice
- kept 11 kept from the crop before: Busier, far voice
- kept 12 kept from the crop before: Ornamented, cloud voice
- kept 13 kept from the crop before: Pushed about, far voice
- kept 14 kept from the crop before: Busier, cloud voice
- kept 15 kept from the crop before: Ornamented, piano voice
- kept 16 kept from the crop before: Reshaped, chords voice
- kept 19 kept from the crop before: Thinned, far voice
- kept 20 kept from the crop before: Up a fourth, cloud voice